Warren Beatty keeps the mystique

Warren Beatty will be honored with the Stanley Kubrick Award for Excellence in Film at the Britannia Awards.In recent years, Warren Beatty has joined the company of the entertainment select whose august faces are underlit by the glow of commemorative statuettes. The Stanley Kubrick is only the latest award.These tributes usually draw our hero into definitive relief among the cross-references of film clips, fond reminiscences, testimonials and gentle ribbing. As Jack Nicholson joked at the AFI life achievement tribute to Beatty in 2008 when referring to him as "the pro": "What else do you call a guy who's won more awards than he's made pictures?"Pitted against a slew of major acknowledgments, which include 14 Oscar nominations and one win (for directing "Reds"), Beatty's career has been marked by parsiminous part picking, with the razor-sharp, energetic 73-year-old multi-hyphenate -- known for his reticence in committing to projects, labyrinthine attention to detail and controlling nature -- having made only six films since "Reds" was released in 1981. His last starring role was in 2001's "Town and Country."What no ceremony can capture is his mystique. Beatty was a principal in Hollywood's last golden age -- the '60s and '70s. His best movies are ambitious, artful, intelligent and trenchant. He's still a player, someone whose latest project is always newsworthy.Just don't try and get him to talk about it, or anything else that pertains to him. He's a wonderful raconteur. He's known everyone worth knowing in entertainment and politics. But his favorite line about himself is, as he told Variety, "interviewing Warren Beatty is like asking a hemophiliac for a pint of blood."Britannia Awards 2011Bard barbs inspire teensHonoreesDavid Yates | Helena Bonham Carter | Warren Beatty | Ben Stiller | John Lasseter Contact the Variety newsroom at news@variety.com

Mega Buzz: Handcuffs on Castle, 2 Broke Hookers, and Marshall's HIMYM Tribute

Nathan Fillion, Kat Dennings, Jason Segel Every week, editors Adam Bryant and Natalie Abrams suit your requirement of TV scoop. Please send all questionsto mega_scoop@tvguide.com. I am so excited for your "Cuffed" episode of Castle. Exactlty what can you tell me? -Erin ADAM: Castle and Beckett, handcuffed around the bed mattress together, with no recollection of techniques these were given there - what might go right wrong? Since you may imagine, the duo finds themselves in lots of awkward - and suggestive -positions simply because they hightail it. Sooner or later, Beckett even asks Castle to lift up her shirt. Rawr! (That sexist appear is yet another hint.) Will Max and Caroline ever hit their goal on 2 Broke Women? - Jen NATALIE: I realize, right? These women try taking some quick cash. What could they're doing, what could they...? No! Much less! They wouldn't possibly consider... prostitution, would they? Yep, in the narrative completely from every 13-year-old boy's imagination, they'd. Got useful The Way In Which I Met Your Mother scoop? - David ADAM: Marshall will recognition the memory of his greatly departed father by ongoing their tradition of tailgating inside a Minnesota Vikings football game. Well, less than at. Rather, he and also the brothers and sisters may decide to watch the sport "with" their father (and several ales and bratwurst, clearly). The truth is their tribute goes from touching to all or any-out creepy when some uninvited site visitors join the party. When will the curse be broken on Not such a long time ago? - James NATALIE: Well, to start with, it won't finish up like - poof! - and without warning everyone knows they are beloved mythic figures. Really, they aren't prone to uncover all concurrently. Just one person will, and very soon. But this understanding might finish off being really a curse when compared to a blessing. "Even if you must do know what you're, that doesn't mean everything immediately returns to simply you receive a happy ending," executive producer Adam Horowitz states. Adds executive producer Edward Kitsis: "In lots of ways, it might just worsen it.Inch I would like apple round the Sons of Anarchy finale. - Jon ADAM: Tara's actions can help help remind you of Gemma in your. Potter will remarkably exceed to help SAMCRO. Through the season's finish, a new person is holding the gavel while someone else is plainly absent within the chapel. Are Pete and Crimson really splitting on Private Practice? - Leo NATALIE: It sure looks by doing this. A completely new paramedic (Stephen Amell) is joining the crew just like a potential love interest for one of the Seaside Wellness documents. By process of elimination - Addison provides extensive males, Amelia just lost her fiancé and Charlotte now now already features a husband - it seems like Crimson will probably be moving onto new prospects soon. Please tell me there's expect Annie and Liam on 90210? - Lacey ADAM: Alas, it seems like there's another guy browsing the wings for Annie, a twentysomething playboy who's the heir to his family fortune and for your reason completely oblivious to the thought of work. Although Annie encourages him to prevent yacht racing and jet-establishing support to do something important along with his existence, he simply becomes a a bit more grounded version of themselves - the type of guy Naomi could be lured by. Hmm, maybe there's expect Annie and Liam ultimately! I am unable to stand thinking about Jason Dohring just like a rapist on Ringer. Please tell me it didn't really happen! - Jessica NATALIE: It didn't really happen... or managed to get happen? You'll uncover certainly following a Year, but let's just say things aren't just what they are between Juliet and her teacher. Really, there's really a third party involved. Can it be just me, or possibly is CSI: Miami pitting Natalia in the new girl inside the lab? - Jesse ADAM: It is not only you. Really, producer Craig O'Brien notifies me unhealthy blood stream brewing between Natalia and Taylor Cole's Samantha will finish up more valuable since the season continues. "We will probably place the set of them inside the area, where they have to rely on each other in the existence-or-dying situation," according to him. "We're obtaining a chuckle with this particular competition, but we're soon prone to drive with a extremely effective, emotional place together.Inch Exist any more Saturday Evening Live stars likely to Up With The Evening? - Louise NATALIE: We will probably immediately start lobbying the Up With The Evening casting peeps to cast Kristen Wiig for your approaching role of Amanda, a glamorous old friend of Ava's who's an over-the-top former girl band singer. They could take advantage of the since the audition tape. So glad Leverage has came back. Exactlty what can you tell me in regards to the new episodes? - Todd ADAM: Look for Hardison to think about really a leadership role. "We now have addressed Hardison's fascination with running their very own team," Aldis Hodge notifies us. "[He's] taking a shot advertising online and... it's a very worthwhile turn for him because he's did not have that kind of responsibility." Don't get worried, Hardison's not departing they. Really, the understanding is really a mindset adjustment. "In my opinion he's still learning," Hodge states. "In my opinion he's ready in manners he still doesn't understand, but he retains a few tactics he or she must get at ease with.In . What do you realize in regards to the year of Pretty Little Liars. - Meg NATALIE: Remember when Pretty Little Liars star Ian Harding told us that Ezra would have a very "tumultuous" interaction getting a particular someone's parents that involved a stunt coordinator? That violent confrontation happens inside the premiere. And when you're anything like us, you'll be quite amazed at who throws the initial punch. Natalie's Mega Rave: Carrying out a slow start to the summer season, Terra Nova finally got a little of great importance and-needed momentum by not only revealing who the mole is, why she's betraying individuals in the colony... inside the same episode! Adam's Small Rant: It's surprising Showtime professionals still made the decision to resume Dexter for just two more seasons getting seen Sunday's shateringly apparent "twist." (Additional verifying by Robyn Ross and Kate Stanhope) Crave scoop inside your favorite Tv shows?In the-mail Adam and Natalie at mega_scoop@tvguide.comor drop us a line atTwitter.com/TVGuide

'Twilight: Breaking Dawn's' Taylor Lautner on His Most Challenging Scene and Jacob's Massive Transformation (Video)

Moviegoers watched Taylor Lautner put his impressive martial arts and stunt skills to work in Lionsgate's action thriller Abduction. And Twihards have been wooed by his ripped physique as uberpopular werewolf Jacob Black during his forest fight scenes in The Twilight Saga series. But it was Breaking Dawn -- Part I's pivotal "imprinting scene" that the actor admitted was one of the most challenging scenes he's tackled.our editor recommends'Breaking Dawn' Premiere: Robert Pattinson, Kristen Stewart Hit the Black Carpet (Photos)Taylor Lautner to Star in Gus Van Sant Indie Film (Exclusive)From 'Abduction' to Art House: Inside Taylor Lautner's Movie Makeover (Analysis)'Breaking Dawn's' Taylor Lautner Draws Affection From Overzealous Male Fan at Film's PremiereTaylor Lautner Interview Question Leads to Apology from GQTaylor Lautner vs. Robert Pattinson Box Office: How Twilight's Leading Men Stack UpVIDEO: 'Twilight: Breaking Dawn- Part I' Robert Pattinson Talks with THRVIDEO: 'Twilight: Breaking Dawn Part I's Kristen Stewart Talks with THR Related Topics•Twilight "It was tough, it was probably the most challenging for me because first, you have to get a hold of what imprinting is and what it means," Lautner told The Hollywood Reporter ahead of the film's massive $283.5 million worldwide opening over the weekend. "And thankfully, we had [Twilight book series author] Stephenie Meyer on the set all the time, so trust me, we had a lot of conversations with her about that." PHOTOS:'The Twilight Saga: Breaking Dawn -- Part 1' Black Carpet Premiere Arrivals In the popular book series, Lautner's character Jacob is angry over the near death of his best friend, Bella (Kristen Stewart), during the birth of her and Edward Cullen's (Robert Pattinson) child. Jacob then sets out to kill the infant but upon locking eyes with the baby discovers that she is the woman he will spend the rest of his life loving and imprints on the girl. The final cut of the scene is quite visual, using CGI and a flash-forward montage of the infant as a teenage girl, which actually made what potentially sounds controversial or creepy quite tasteful on the big screen but a bit difficult at first for the actor. PHOTOS: 'Twilight: Breaking Dawn': New Images "Once I grasped that, then it became, 'What does it look like?' and I mean, I was giving a X on the wall and I had to walk in the room and look at this X, make eye contact with it and imprint, whatever that means, whatever that looks like," he said. "So on the day it was tough and required a lot of imagination but I am really happy with the outcome and I need to thank [director]Bill Condon for that one." Lautner added that Jacob goes through a massive transformation inBreaking Dawn -- Part 1. "The whole thing with Jacob in this movie is the journey that he goes on from the beginning to the end," he said. "He starts out the movie as the same Jacob we always known, but throughout the journey, I mean, he is forced to become a man and deal with maturity issues and make choices and he is torn between his own family, the wolf pack and his new family, the Cullen and he has to do the right thing." PHOTOS: Hollywood's A-List Redefined Lautner's interview at the Four Seasons in Beverly Hills came on the heels of THR's exclusive report that he would be starring in an independent movie directed by Gus Van Sant. Though he and his team played coy on any further details to the press during rounds that week -- saying "it was still in very, very early stages" -- the actor was a good sport when THR brought up its report about plans for the project. The actor's first effort as a solo leading man, Abduction, underwhelmed at the domestic box office over the summer. The new project would almost certainly take Lautner's career in a new direction. He is said to be determined to work only with top directors and writers from now on as he strives to define himself as an actor. Meanwhile, the final film in Summit Entertainment's five-movie Twilight Saga franchise, Breaking Dawn -- Part 2, opens Nov. 16, 2012. PHOTO GALLERY: View Gallery 'Twilight: Breaking Dawn': New Images From the Pentultimate Film in the Saga Related Topics Robert Pattinson Taylor Lautner Twilight Saga Kristen Stewart Bill Condon

Longtime Executive Marc Graboff to Exit NBC

Longtime NBC executive Marc Graboff, leader of West Coast business methods, is departing the network.our editor recommendsGolden Globes Trial: Witness List Includes CBS' Ces Moonves, NBC's Marc Graboff, and Dick Clark An NBCUniversal representative confirmed the split and stressed that's was "friendly" and added the "mutually convenient" exit date remains worked out. Graboff had signed a completely new three-year offer August 2010, several several days just before the Comcast-NBCUniversal merger was completed. He is just the latest executive to exit since Bob Greenblatt needed the reigns at NBC Entertainment last The month of the month of january. Well-loved in Hollywood, Graboff was instrumental in shepherding discussions with creative talent one reason former NBCUni chief Rob Zucker in 2007 elevated him to co-chairman with Ben Silverman in the network's entertainment division. Graboff was considered the adult inside the relationship while using peripatetic Silverman, who left NBC this past year after an not effective run. Graboff's exit, which was first reported with the La Occasions, is not unforeseen. His duties grew to become progressively attenuated inside the wake in the merger as well as the ongoing transformation in the fourth-place network. Graboff grew to become an associate of NBC in 2000 after a period controlling business matters at CBS. Right before CBS, he will be a partner within the La lawyer of Troop, Meisinger, Steuber and Pasich and, right before that, he will be a founding partner in the firm of Silverberg, Katz, Thompson and Braun. Related Subjects NBC

'Twilight' to infuse lackluster year at B.O.

Summit's 'Breaking Dawn -- Part 1,' which opens in 4,061 locations Friday, could gross as much as $150 million.'Happy Feet Two' will boost the weekend with expectations in the $32 million-$35 million range.The Descendants opens in 29 locations.Domestic box office is still running 2.5% behind the pace of 2010, which already had its "Twilight" installment on the books by this time. But even if "Breaking Dawn -- Part 1" hits the highest estimates of $150 million -- one of the highest domestic bows of all time -- don't expect 2011 to come any closer to pulling even with last year.That's because Warner Bros.' "Harry Potter and the Deathly Hallows: Part 1" launched this same weekend last year to a similarly B.O.-shattering $125 million, the seventh-highest domestic bow ever."Breaking Dawn" expands Friday to 4,061 locations after 3,251 Thursday midnight screenings. Though some tracking services say it could hit north of $150 million through Sunday, Summit has far more modest expectations, ranging between $110 million and $125 million.Unlike this weekend last year, which had little else among new entries, this weekend's family-targeted 3D counterprogrammer, "Happy Feet Two," will boost the weekend with expectations in the $32 million-$35 million range. Warners launches the film today at 3,606 Stateside locations, of which approximately 2,800 are in 3D, with 293 Imax locations.Fox Searchlight's "The Descendants," meanwhile, expands today to 29 Stateside locations, after bowing Wednesday at five playdates to a solid opening-day per-screen average just shy of $8,000."Breaking Dawn" already is off to a solid start in overseas territories, including Australia and France, for a total estimated $8.9 million. In Gaul, the film scored $3.8 million, making it the country's third-highest opening day, behind "Deathly Hallows: Part 2" and "The Adventures of Tintin."The second-to-last "Twilight" pic, released internationally via local distribs, opens day-and-date in a total 54 countries outside the U.S.Summit launched the third "Twilight" film, "Eclipse," during summer 2010, with an opening six-day domestic tally of $158 million; the franchise's second pic, "New Moon," opened Nov. 2009 with $143 million.Observers say the 16-month delay between "Eclipse" and "Breaking Dawn" likely helped build anticipation for the latter pic, as well as decreasing "Twilight" oversaturation. By comparison, the series' second and third installments had only an eight-month release gap.Budgeted at a reported $110 million, "Breaking Dawn" is headed for the fast track toward profitability.The film will play best with females of all ages, which could hurt "Happy Feet 2," as moms may be preoccupied by "Twilight." Toon should have a strong hold among families with tykes, contending only with fourth-frame holdover "Puss in Boots."The opening 3D share for "Puss," at 51%, points to so-so business for "Happy Feet" in 3D. Summer toons like "Cars 2" stalled with the format, with 40%, while similar 3D family pics around this time last year, such as "Tangled" and "Megamind" did better in 3D, with 56% and 66%, respectively.Warners isn't expecting "Happy Feet Two" to match its predecessor, which opened to $41.5 million in 2007.Fizziology, which specializes in monitoring social-media sites, reported that both "Happy Feet Two" and "Breaking Dawn" have a 70% positive rating from all social-media posts. The company also said that "Happy Feet Two" has more online interest than "Puss in Boots" and "Kung Fu Panda 2" did.Now it's just a question as to whether that chatter can translate into tickets sold. Contact Andrew Stewart at andrew.stewart@variety.com

Situation Tossed Against Accused Selena Gomez Stalker

First Launched: November 16, 2011 9:00 PM EST Credit: WireImage La, Calif. -- Caption Selena GomezA judge on Wednesday overlooked a criminal situation against a man charged with stalking Selena Gomez, saying he did not believe prosecutors had proven he designed to result in the actress and singer being afraid. The dismissal will free Thomas Broadnicki, 46, who was simply charged captured with stalking Gomez between This summer time and October. The celebrity wasn't gift for Wednesdays preliminary hearing throughout that the da attempted to exhibit there's probable reason for Brodnicki to manage trial. Brodnicki has past mental illness coupled with been held on $150,000 bail after his arrest on March. 31. Mental health employees had informed government physiques he'd threatened to eliminate the celebrity throughout a mental hold. We strenuously objected for the dismissal, district lawyers speaker Sandi Gibbons mentioned. She mentioned Superior Court Judge Edmund Willcox Clarke Junior. ruled Brodnicki was lacking the intent to lead to fear. Gibbons mentioned jobs are evaluating its options, that may include re-filing the problem afterwards. A civil constraint order requiring Brodnicki to stay 100 yards from Gomez remains in place. A hearing is scheduled for November. 23 to discover when the stay-away order will remain in position for an additional three years. Gomez, 19, written in the sworn declaration they is at extreme nervous about Brodnicki. Brodnicki was represented by Deputy Public Defender Nick Stewart-Oaten, who did not immediately return a mobile phone message seeking comment. Copyright 2011 with the Connected Press. All rights reserved. These elements is probably not launched, broadcast, rewritten or redistributed.

REVIEW: Alexander Payne Provides For Us a Facile Movie About Complex Feelings within the Descendants

Alexander Payne’s The Descendants has nearly all you need for any male middle age-crisis movie, and much more: A large plot of unspoiled family land going to be offered off and away to designers, sullen teens, a wife inside a coma. Payne, in the first full-length feature since his 2004 apologia for spoiled wine snobs Sideways, pulls out all of the stops, including casting George Clooney, an actress who’s aging superbly but who nevertheless, fortunately, has permitted themself to appear his age. In Payne’s vision, many of these elements were most likely designed to equal to an image the most honesty. Rather, The Descendants is definitely an ultra-polished picture by which every emotion we’re designed to feel continues to be cued up well ahead of time. There’s nothing surprising or affecting about this. Not really Clooney, who works miracles using the periodic bit of dialogue, can help to save it. Clooney plays Matt King, a highly-off lawyer residing in Hawaii, where decades of his family have flourished. Within the movie’s early minutes, he lays everything out for all of us in voice-over: He and the cousins are going to possess a bang-wow on the huge stretch of unspoiled land that’s been in the household in excess of a century — it’s time for you to sell, and Matt is moving to shut the offer. That’s plenty for just about any one guy’s plate, but we learn that Matt’s wife, Elizabeth, continues to be laying unconscious for 23 days following a boating accident. In the voice-over, Matt comes clean with the truth that he hasn’t been an excellent husband or father, despite the fact that his actual transgressions remain vague, we are able to think that he’s devoted a lot time for you to his work that wife and family have frequently taken a back burner. Still, Matt’s precocious preteen daughter, Scottie (Amara Burns), appears pretty much-modified: She will get looking forward to eating ice-cream in the casual-classy club her father goes to, like a 10-year-old should. However, her 17-year-old sister Alex (Shailene Woodley) is really a pouty sort with a lot of mother issues. Because it works out, Elizabeth isn’t going to leave that coma. When Matt breaks this news to Alex, she confronts him with a little of insider information she’s been hiding: Elizabeth have been cheating on Matt — another guy works out to become a beaming slimeball of the real-estate agent, performed by Matthew Lillard — and Alex, with teen-daughter petulance and self-righteousness, is furious together with her. Matt seems to become less furious and much more simply hurt, and the attempts arrive at terms both together with his wife’s unfaithfulness and her approaching dying from the majority of The Descendants. Together, together with Alex’s half-obnoxious, half-truth-telling stoner friend (Nick Krause), Matt, Alex and Scottie put down on the journey of reconnection and healing, allegedly ameliorated by Payne-style ironic wisecracks. That’s the one thing about Payne: In pictures like Sideways contributing to Schmidt, he’s become away using the junkiest type of sentimentality by packing deadpan gags around it, like ice around a defunct seafood. Using The Descendants he shows full mastery of this technique, a significant achievement only when you're thinking that’s a positive thing. Payne modified the film, with Nat Faxon and Jim Rash, from Kaui Hart Hemmings’ novel of the identical title. But when he's any real feeling of these figures, he doesn’t allow it to show. We all know they are folks discomfort because we’re told, frequently, sometimes with words and often with the same as acting semaphore: When Matt informs Alex her mother is certainly likely to die — she’s going for a dip in the household pool — she falls underwater and her face crinkles into an overemotive grimace. The image doesn’t tangle with the concept that infidelity is really a complicated factor, and barely concedes that those who commit it aren’t always monsters. Within this story, the adulterers — a minimum of the one that isn’t inside a coma — appear to be as sleazy and untrustworthy as you possibly can, possibly as a means of creating the Clooney character more supportive. But that’s among the issues with these components, one which Payne doesn’t bother to offset: Clooney’s Matt pays lip service that he’s made mistakes — we heard it for the reason that opening voice-over, where it whizzed by inside a sentence or a couple of dialogue. His wife’s mistakes and inappropriate behavior would be the focus here (despite the fact that she will’t speak for herself), and also the construct turns Matt right into a sanctified victim. Which makes Payne’s job simpler — there’s you don't need to see people as unnecessarily complicated or problematic. Why saddle Clooney — an actress who’s able to delicate emotional complexity — having a character like this? It’s proof of Clooney’s gifts he plays Matt as not only a bit of flattened card board. He is doing possess a couple of good moments, and the carriage, particularly, is one thing to look at: His arms dangle awkwardly from his short-sleeved patterned t shirts he walks by having an easy, loping gait that isn’t exactly elegant. Clooney works tough to be credible, actually was, but he’s un-tied at each turn through the self-assured calculation from the film around him. For me personally, the film’s main pleasure was the look of Robert Forster, an actress attracted from obscurity by Quentin Tarantino for his great role in Jackie Brown. Since that time, Forster has made an appearance in movies as well as on TV in some places — he was wonderful within the too-short-resided TV series Karen Sisco — and Payne warrants credit for giving him a relatively sized supporting role here, as Matt’s taciturn father-in-law. (His surprise approach to coping with the bratty stoner Sid may be the movie’s most spontaneous and bracing moment, and it is strict, maybe since you don’t view it coming miles away.) When Forster is grousing on-screen, the film appears momentarily alive. He’s a classic-time grouch, a global from Payne’s hipster misanthrope masquerading like a humanist. Because Payne’s fascination with mankind may be the comfortable sort: He must know well ahead of time who’s good and who’s bad, because which makes everything a lot simpler, doesn’t it? The movie’s lovely, lilting soundtrack of Hawaiian music — supplied by artists including Gabby Pahinui, Ray Kane and Keola Beamer — feels as though a forced make an effort to layer some feeling to the material. The film, shot on location (the cinematographer is Phedon Papamichael), is gorgeous to check out, sun-drenched and golden in most the best ways. Nevertheless its warmth is at first glance. The Descendants on the face handles the finest struggles existence needs to offer: Unfaithfulness, grief, the realization that family members don’t always, or can’t always, fulfill even our most modest anticipation. Payne handles these subjects using the utmost confidence and facility. Which would be to say he doesn’t cope with them whatsoever. [Servings of this review made an appearance earlier, inside a different form, throughout Movieline’s coverage from the 2011 Toronto Film Festival.] Follow Stephanie Zacharek on Twitter. Follow Movieline on Twitter.